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The film is a frontier Western made with a stately and austere poker-faced modernist classicism, and roiling undercurrents, that sometimes bring the earlier film to mind.

Where to Find It: In theaters only, followed by Netflix on Dec.

But the writer-director’s hearty enthusiasm for her Indian American characters of different stripes manages to deliver distinct yet relatable tastes to the viewer all the same. Packing a conventional coming-of-age tale into its pleasantly paced running time, Geeta Malik’s sophomore feature - about old-fashioned multicultural families with storied roots and their modern, independently minded offspring - doesn’t offer all that much that is thematically surprising. It might help, of course, to be surrounded by the gracious greenery and oceanic soundtrack of Oahu, to which “I Was a Simple Man” also functions as a lovely, loving ode. Yet there’s serene peace here amid the trauma: At the film’s most lyrical points, mortality doesn’t seem a threat or a ticking clock, so much as a breeze to which you eventually bend. The film considers the troubling weight of impending death on the victim - as failing health, glitching memory and drifting ghosts of the past combine to disorienting effect - as well as on his burdened, emotionally conflicted family.

I Was A Simple Man (Christopher Makoto Yogi) The film is designed to work for those who’ve never seen any of the franchise’s earlier incarnations, and though the film adopts an unmistakably Amblin-esque vibe - there’s an obvious “what if the Goonies were Ghostbusters?” sensibility at work here, reinforced by Spielbergian magic-hour shots of kids assembling around a Devils Tower-shaped rock formation - you needn’t have grown up on such movies to appreciate how they elevate adolescent rejects to hero status. Audiences will be moved to tears often during it, and sometimes triggered to anger, knowing how vaccine refusal continues to burden the country’s healthcare workers who deserve a break at long last. Heineman’s courageous and astonishing cinematic time capsule (which decisively never mentions Trump) is a salute to heroism, so specific in its distressing visuals that you can only watch it on this side of the pandemic when some semblance of normalcy has been restored thanks to the widely accessible vaccines. Peter Debrugeĭistributor: National Geographic Documentary If filmmaker Miranda July hadn’t gotten there first, “The Future” would have made a fine title for fellow director (and husband) Mills’ latest feature, “C’mon C’mon,” a small, soft-spoken yet casually profound family drama in which a subdued, post-“Joker” Joaquin Phoenix plays a middle-aged radio journalist who travels the country interviewing kids, asking what they think about their lives and where the world is headed. There, in the ring, actor and character alike are reminding themselves - and the world - what they’re capable of. No one expects Berry to reinvent the sports movie, but still she manages to impress on both sides of the camera in the final act.

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This pro forma sports drama, which clearly means so much to its creator, unfolds pretty much exactly as you’d expect, leaning hard on pathos when what it really needs is personality. Impressive as Berry’s commitment to the role can be, there’s a mirthless predictability to the whole ordeal. Where to Find It: In theaters only, followed by Netflix on Nov. Shooting mostly outdoors and incorporating such details as social distancing and personal protective equipment add of-the-moment texture to this absurdist time capsule. This provocative and unapologetically profane Buñuelian prank is one of the first examples of a genuine auteur work to emerge in a world upended by COVID-19. 19 Exclusively in TheatersĪ high school teacher and her husband make a sex tape, which finds its way onto the internet, sparking outrage among her pupils’ parents, in Jude’s irreverent contemporary satire.

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Find more movies and TV shows to stream here. Here’s a rundown of the films opening this week that Variety has covered, along with information on where you can watch them.

Let Variety help you find that next well-earned bit of escapism, whether it’s the highly anticipated “ King Richard” or the Western drama “ The Power of the Dog.”

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Fall movie season is upon us - though the release schedule has never been more confusing, with some blockbusters heading directly to streaming, others in theaters only and various independent films mixing up strategies between theaters, streaming and VOD releases.